A Letter to Kodak

Dear Kodak,

In Act 1 you were the undisputed king of film.  From Hollywood to Bollywood, some of the greatest movies ever made were captured on Kodak film. So too were some of the worst atrocities committed against humanity. You gave us the escape we needed during the worst of times, pricked our consciousnesses and changed the policies of governments during the best of times. Rock stars wrote songs about you.  You shared our most cherished memories. 

Then, in Act 2, you invented the digital camera. Huh? What the hell were you thinking? Did you expect that to end well?  I know that Americans aren’t, as a rule, big on irony, but I hear that if you look up irony in the next edition of Webster’s, it will say “See ‘Kodak Moment’.” 

Act Three opened with you filing for Chapter 11 bankruptcy protection. Quelle surprise. But what’s the Denouement? Do you Produce a Kodak Digital Instamatic, that’s so simple, inexpensive, and social that iPhoneography becomes soooo 2011? Hook up with Lomo, ensuring that everyone who buys into Holga, Diana and Lomography, also buys into Kodak film and processing? Create a social network for Kodak film and digital instamatic users that’s hipper than Instagramlomography.comVimeo & Flickr put together?  Carpet bomb every  school, college and university that runs a photography or filmmaking course with free film, paper and chemicals, until a whole generation is hooked on traditional photographic media? Build a better digital sensor and license it to everyone from Nikon to Apple?

NO? So how then do you save the company?

Printers? LOL! No really, what’s your big plan? Wait a minute, you’re serious? You’re going to ignore your USP and instead find salvation in an oversaturated market, dominated by computer and electronics giants who, by leveraging their existing business are able to achieve lower manufacturing costs and better margins than you?

What’s your marketing message? Is it that Kodak printers are better than the competition? That they produce more vivid, lifelike prints that last for longer? No? Your marketing message is that it’s cheaper to print on a Kodak printer than on any other?

So what you’re saying is that Kodak is cheap? It will be soon, if that’s your big plan!

Here’s a newsflash, however cheap it may be to print photos on a Kodak printer, it is cheaper to put them online. Here’s another newsflash,  We’re about  enter a world in which smartphone displays, television sets, computer monitors and digital photo frames all out-resolve print. In this world, do you really see the market for printers expanding? And on the increasingly rare occasions that people feel a memory is so important, so cherished that it merits a print, do you really think the first question they’ll ask is “How cheap can I be?”

No company should ever be ‘too big to fail’, but occasionally a company is too important to fail and you are. You are the heritage of everyone that ever used or will use a camera, from the greatest director, to the proudest parent. You are Film’s last best hope. Without you the world will be a culturally impoverished place. So take a good hard look at what Ilford, FujiFilm and The Impossible Project have been doing over the past few years and if you still don’t get it, then perhaps it’s time to sell your photographic assets and expertise to someone who can do a better job with them…like the former board of Olympus…

Yours truly,

Paul D.

 

 

 

© 2012, Paul D. All rights reserved. Moral Rights Asserted.

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    About Paul D

    Paul D is a multi award winning director & producer who makes music videos, documentaries & feature films. His recent 'Toadlickers' promo for multi Grammy nominated artist, Thomas Dolby, won Gold in the W3 Awards, Gold in The Davey Awards, was nominated for 2 Webby Awards, reached #18 in YouTube's 'Most Watched' Chart and was broadcast on The BBC. http://bit.ly/eruHnO
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    • Doug

      It wasn’t just digital that killed off Kodak. They’ve been losing ground since the 1980s, when the Instamatic was shoved aside by Japanese-made 35mm compacts and SLRs, and Fujifilm became a significant competitor in the 35mm film market, and Japanese-made mini-labs became a significant competitor in film processing. Kodak’s 110-film cameras didn’t sell great, their Disc cameras flopped, and APS was a total disaster. The people wanted 35mm and they wanted 30-minute processing, and Japan was giving it to them.

      The fact is, today the *average* digital photographer needs nothing more than a smart-phone. From there, everything’s the same as other digital file handling. Kodak, Fuji, Canon, Nikon, Sony, Panasonic, and the rest are all quickly becoming irrelevant to everyday photography.

      “Serious” photographers will still want more than a smart-phone. So there’s room for a Canon or a Nikon or whatever. But those manufacturers are relying on planned obsolescence. If everyone held onto digital SLRs for as long as they held onto film SLRs, the market would already be saturated. “Trading up” is the only way to keep sales moving. And Kodak has no chance to get in on this.

      There’s some money to be made in home printing, but HP and Epson own that market and Kodak doesn’t have what it takes to break in. K reputedly has the best print heads and the best inks, resulting in the best print quality, but the mechanicals of their printers are noisy and unreliable. Maybe they could sell inks for HP and Epson printers.

      There’s nothing left in photography that will generate the kind of cash flow that a company the size of Kodak needs.