A few years ago I worked with the Director, Paul D., on Thomas Dolby’s music video ‘The Toadlickers’, providing puppet sequences shot against green screen. This involved heavy compositing and tracking of multiple puppet characters, set elements and props, onto footage of Thomas, his band and burlesque dancers. All of the live action footage was shot in the UK, by Paul and his crew, with the Canon 5D Mark II, but as I was in Texas at the time, I had to match the lighting as best as possible on all of the assets I created, to ensure that everything looked seamless once graded.
One of the biggest issues was transferring large multi gigabyte files magically across the Atlantic to Paul so he could review and edit them. Amazingly, eventually, it all actually worked and you would never know that video was shot in two different continents. So when Paul asked me if I could help with some post visual effects on a new music video he was Directing & Producing for B.E.F. featuring Kim Wilde, I thought it can’t be any harder than the last one and having updated my hardware and software, since then, I knew my new tools would be much more efficient. Continue reading “Creating Post Visual Effects for Paul D’s B.E.F. Kim Wilde Video – GUEST POST by MIKE QUINN”